Adbusters, Issue 97: Post Anarchism

Featured during this issue:
Creative Director: Pedro Inoue
Pankaj Mishra explores modernity's undoing
David Graeber at the loss of life of capitalism
Saul Newman at the politics of publish anarchism
Allen Kanner at the have to determine nature's rights
Micah White on united kingdom Uncut
Sam Eifling at the hazard of a nuclear endgame
and even more ...

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Additional resources for Adbusters, Issue 97: Post Anarchism

Sample text

It betrays the precarious status of the energies which were aimed at a genuine intellectual prevention of failed ideological traditions. Voices like those of Camus sought to enforce a theory of human moderation and the symbolic relativity of existence, while all around them neo-revolutionary symbolism and extremist surrealism were running wild. With all their might the authors of this radical tendency attempted to maintain faith in life, above all the defeat of 1940 had proved that the world was in urgent need of French ideas particularly after they had taken an invigorating Stalinist or Maoist bath.

Whether this showed a dubious appetite for understatement or not, Sartre made himself available as a figurehead for French pseudometanoia until the last. I need hardly emphasize that the names of Camus and Sartre in the context of these observations have a purely typological function and imply no judgement as to their literary and philosophical ranking – in the case of both, we raise our eyes to heights which hardly any contemporary author can climb. With the former I associate tendencies which stand for the return of a self-critically level-headed, post-imperial, post-ideological France at the centre of Europe.

When finally the double fascination of the Russians through the dual partners of Germany and France intervened and when Germany reciprocated this fascination for the unleashing of violence of October 1917 felt throughout the world, then the facts of the case are fulfilled which Girard calls in the case of Clausewitz la montée aux extrêmes ‘striving for extremes’. If one imagines the Girardian stimuli beyond being a global dramaturgy of mimetic frictions then we begin to understand why it is not possible to simply understand Franco-German ‘re47 lations’ in merely bipolar terms.

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